Mixed Versions
In Mixed Versions, a solitary man ascends within the sterile hum of an elevator—between floors, between states of self. The steel-walled space becomes a vessel for introspection, a vertical confession booth where multiple identities quietly confront one another. There is no audience here, no arrival—only transition. His posture is composed yet thoughtful, suspended like his journey, inviting the viewer to consider the many versions of ourselves that move unseen through the corridors of life. It is a quiet rebellion against stillness, a portrait of evolution in motion.